And it's December, which apparently came a surprise to me, as I left my December transit pass sitting on the kitchen table. Imagine my irritation when I couldn't get through the turnstile! Imagine my indignation as I squeezed past the people buying tokens and flashed my pass at the man in the box! Imagine my embarrassment when I realized that it was me, and not the TTC, who was the idiot, and that the transit man was probably cursing me for attempting to scam him! Imagine my annoyance when I realized that I would now have to pay actual cash to get home again!
In other news, I had no time for breakfast this morning, due to an extended bout of not-getting-out-of-beditis, so I have succumbed to the lure of toasted bagel and peanut butter. Expect whining about stomach pain and heartburn in approximately 2 hours.
These last two weeks have been full of theatre for me, which makes me all *glee* and *bliss*. Last week I went to Wicked
, which was great. On their own, I find the songs fun, if nothing special, but the production made them come alive, even if it did leave out a lot of the politics found in the book. Still, great choreography and costumes, excellent singing for the most part, and damn, did they all sound scarily like the people who originated the roles on Broadway. I don't think I've ever seen a touring production before where the intent was so clearly to copy the original, down to speaking inflections.
Then on Tuesday I took myself to Chicago
, which I've never seen a professional production of. And yes, there was a Backstreet Boy on stage. He was actually pretty good - his voice was a lot sweeter and somewhat less powerful than I would have picked for Billy Flynn, but it's a good voice and he's got the stage presence. The women beside me were very excited, despite having been all mocking before the show started. And the rest of the cast was great. The woman playing Roxie looked just like Miranda from Sex and the City
(from where I was sitting in the gods). It was eerie. Most importantly, the dancing was awesome, and I loved how they used the stage, putting the band on stage on riser-like things, and having the cast use the same setpiece, and interact with the bandleader. It really played up the vaudeville angle.
Last night I went with dancer friends from Kitchener to see Arabesque Dance Company's new bellydance show, Asala
. Fantastic. One of the best all around shows that I've seen. The live band was amazing, and there was a drum interlude that nearly killed me, and the dancing was great - group choreographies that mostly ran through various folkloric and contemporary styles. With many, many costumes, including at least 4 for each dancer during one big number. I love that. Seriously, if you like bellydance, or you're curious about bellydance, go see this show. So much better than Bellydance Superstars.
And now that it's December, I promised myself that I would stop getting annoyed every time Christmas music is played, or I see decorations, or people talk about it. Because there's only so long you can carry around that kind of irritation without exploding, and December 1st is when Christmas is allowed to begin (or so says I).